Vito Acconci Movies
- 1970

Rubbings
Rubbings01970HD
"Acconci caresses his torso, then crushes cockroaches into his stomach and rubs them into his skin." - Electronic Arts Intermix
![Rubbings]()
- 1971

Breath In (To) / Out (Of)
Breath In (To) / Out (Of)01971HD
The screen is empty: the artist stands off-screen — he breathes in and out, his stomach moving into and out of the frame.
![Breath In (To) / Out (Of)]()
- 1973

Theme Song
Theme Song01973HD
In Theme Song, Acconci uses video as close-up to establish a perversely intimate relation with the viewer, creating a personal space in which to talk...
![Theme Song]()
- 1971

Two Track
Two Track01971HD
In Two Track, Acconci experiments with direct and peripheral perception of information in the context of communication and interaction. He sits with...
![Two Track]()
- 1973

Visions of a Disappearance
Visions of a Disappearance01973HD
"Visions of a Disappearance is a newly restored performance tape that was recorded in Naples, Italy, in 1973. Crouched in a corner, hemmed in by the...
![Visions of a Disappearance]()
- 1971

Conversions 2
Conversions 201971HD
In Conversions II, the second in a trilogy of films interrogating the rigidity of gender binarism, the artist attempts to feminize his unquestionably...
![Conversions 2]()
- 1970

Clouds
Clouds01970HD
Vito Acconci
![Clouds]()
- 1972

Undertone
Undertone01972HD
"In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl...
![Undertone]()
- 1970

See Through
See Through01970HD
"Acconci spars with his close-up image in a mirror. He then breaks the mirror, destroying his image." - Electronic Arts Intermix
![See Through]()
- 1971

Directions
Directions01971HD
A super-8mm document (blown up to 16mm) of Acconci's performance of the same name where he laid flat on his stomach blindfolded on a wood platform in...
![Directions]()
- 1971

Remote Control
Remote Control01971HD
The two-channel piece Remote Control is an exercise in manipulation and control between artist and subject, male and female. On separate channels,...
![Remote Control]()
- 1971

Pryings
Pryings01971HD
A documentation of a live performance at New York University, Pryings is a graphic exploration of the physical and psychological dynamics of...
![Pryings]()
- 1984

Election Tape '84
Election Tape '8401984HD
Steeped in black humor, this concise political critique is Acconci's contribution to artist Jenny Holzer's collaborative Sign on a Truck project,...
![Election Tape '84]()
- 1970

Applications
Applications01970HD
A woman kisses Acconci's body, covering him in red lipstick traces. Acconci then rubs his body against another man (Dennis Oppenheim), transferring...
![Applications]()
- 1972

Go Between
Go Between01972HD
A super-8mm short by Vito Acconci
![Go Between]()
- 1973

Willoughby Sharp Videoviews Vito Acconci
Willoughby Sharp Videoviews Vito Acconci01973HD
This early document is a videotaped interview ("videoview") of Vito Acconci by Willoughby Sharp during which they discuss Acconci's development as an...
![Willoughby Sharp Videoviews Vito Acconci]()
- 1974

Face of the Earth
Face of the Earth01974HD
In Face of the Earth, Acconci's face becomes a metaphorical theater for a narrative drama of the mythic American landscape. Eyes closed, his face...
![Face of the Earth]()
- 1970

Open-Close
Open-Close01970HD
In this performance based tape, Acconci uses his body to explore notions of opening and closure.
![Open-Close]()
- 1970

Digging Piece
Digging Piece01970HD
Standing alone among beach dunes, Acconci begins to kick at the sand below him. Over the course of the film's ten minutes, this repeated action...
![Digging Piece]()
- 1974

Shoot
Shoot01974HD
Acconci imitates the sounds of war, gunfire and explosion; he thrusts his face, stomach or penis onto the screen. His childlike battle sounds are...
![Shoot]()











